One of America's first daguerreotypists, Jacob Byerly ,peers into the viewing screen of his camera, a plain box with a lens hardly changed from the centuries-old camera obscura. The group portrait at right, taken with a camera much like Byerly's, shows the lifelike detail characteristic of daguerreotypes. The smallest child, unable to hold still, appears blurred; the other figures are sharp, although no one appears to be enjoying the ordeal.
Portraits of Mrs. Kiah Sewall and Family, 1840
The daguerreotypes that introduced photography to the world in 1839 were amazingly sharp and detailed pictures despite the fact that they had been made in a crude camera. Daguerre had simply modified a portable camera obscura, the device artists had long used as a sketching aid, so that it would accept a light-sensitive plate.
While Daguerre's invention was acclaimed as miraculous, its limitations soon became obvious. The combination of poor lenses and slow-acting chemicals required exposures of up to 20 minutes in bright sunlight before an image could be recorded in the camera. Scoffers predicted that photography would never get beyond the novelty stage. But in scarcely more than a year they were being proved wrong. Thanks to improvements in light-sensitive compounds and a few optical innovations, exposures could be made in less than two minutes. Customers were soon flocking to newly established daguerreotype studios-on the continent, in Britain and, before long, in the United States-where, with the aid of headrests and arm supports, they tried to hold still for the camera.
It is worth to underline that, against the 'poor' tech possibilities regarding Cameras and post-Process, the 19th aesthetics of these photos --as saved to us-- are far forward in composition, overall scenery, lighting etc., being an example for all of us, 20th c. amateur photographers !
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